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Smashwords: How to Publish Ebooks - An Ebook Publishing Intensive
Tuesday, 21 July 2015
Thursday, 18 June 2015
“Where There Is No Vision, the People Perish” or why people should go to conferences…
The quote in the title for this post is taken from the Bible’s book of Proverbs. It speaks to me about the yearning of the human heart to have a goal—a vision—to pursue. It’s as true for us today as it was in the time of the bible that the average human being desires more than mere physical and social gratification. We also seek a wider sense of belonging in the universe.
I’ve had a lifelong fascination with the “mystery of all things”, and to borrow the phrase author, PJ Reece, coined, “the transcendental story heart”. I’m intrigued deeply by the puzzle of how to connect language to experience. My personal quest as a writer is to learn how to successfully translate the long story or the eternal aspect of ourselves.
The great Athenian philosopher, Plato, (c. 428-348 BC) used the expression techne tou biou, which means “the craft of life”, to refer not only to domestic and mechanical skills but also to development of the soul. The psyche, anima, atman, savira, semangat, nephesh, otachuk, loákal, tunzi, prana, duk, geist, sala, every ancient people had their word to describe the “life-giving principle”.
As the later Roman writer Apuleius wrote, “Everyone should know that you can’t live in any other way than by cultivating the soul.”
Artists and writers have the job of translating this wondrous ‘soul’ experience. Or as PJ Reece reminded me via email, “We live on the surface, but in constant awe of what lies beneath/above/beyond. As writers, it’s our job to live in the liminal zone between the two. And report back.”
At the end of this year, I’ll be attending the Tinderbox Conference for Children’s Writers and Illustrators (*see info. below). The first time Wellington hosted, I flew down for the ‘Spinning Gold Conference’ and over three days, I attended seminars, fangirled over authors, bought books (what’s not to love?) Yet, over and above the glamour of socializing with birds of a feather, the main thing I took away was inspiration.
Kate d Goldi, my tutor and mentor, gave a speech which she based on Jane Yolen’s idea of the ‘alphabetics of children’s literature’. “A is for antecedent,” said Kate, urging us to read the greats.
“B is for bone. Your fascination, your idiosyncratic fascination is why you were made and set here. Thoreau said, ‘Know your bone.’ Circle your preoccupations, recurring motifs, bury it up, dig it up, sniff it. If it hasn’t been written yet its because its up to you to write it.”
I was riveted. As was every person in the room. You could have heard a pin drop.
“I believe the compulsion to write comes from a deeper place,” said Kate. “I don’t write about or for children, but I write for the once and always child in myself. When I’m writing for children I’m chasing down a lost Eden, that hopeful springtime, to approximate the pleasure I had in those shaded imaginative places. The lost Eden of my childhood.”
Kate spoke of getting her ‘nourishment at the knees of writers’. Being one of the keynote speakers at the conference, now she was nourishing us.
“Carlos Fuentes’ book tells us that our lives transcend possibilities,” Kate said, “I think current stories are lacking in complex structure, nuance. Kids need more than a limited diction, and a palette of Smarties. We remember readings that acted like transformations.”
Her speech got a standing ovation as well it should. This is what we pay for, as Elizabeth Gilbert said on her amazing TED speech-, it’s ‘a glimpse of god and we need that’.
According to PJ, “There’s a theory of mental growth that states that we go through a series of psychological “disintegrations” on our way to becoming authentic persons. So it’s very much true to life that a character would be thrown into an existential void again and again. With each passage through the fire, so to speak, and with each “reintegration” the person becomes increasingly altruistic.”
Sophocles described his heroes with the term deinos, which translates loosely as “wondrous and strange.” A character who lives up to that description possesses a kind of incandescence, reminding us of the unpredictable capacity for loving sacrifice, heroism, fierce persistence—as well as craven selfishness, cowardice, vacillation—that each of us carries within his heart. ~ David Corbett
This is the transcendent moment in action. It’s what we live for.
Plato likened the perfect soul to a winged creature, hoping to soar upward toward Truth. I’ll be going to the conference in Wellington, to learn new tools for taming the muse, sure, to schmooze with other writers, yes, and also to be inspired, to soar upward toward the Truth!
Are you joining the Tinderbox in Wellington? Been to a conference lately and felt uplifted? Please share!
Humans are built for adventure and accomplishment. If we weren’t, James Bond, Indiana Jones, and the rest wouldn’t do anything for us.’ ~ Paul Rosenberg
If you’ve ever wanted to write a book for children, come to the Tinderbox Conference for Children’s Writers and Illustrators 2015. Check out the Tinderbox program is available for viewing on the website: http://tinderbox2015.blogspot.co.nz
Registrations opened on the website on the 16th June and half the seats sold out within the first 24 hours so if you're interested, get in quick.
*RePosted from my blog over on wordpress:
The great Athenian philosopher, Plato, (c. 428-348 BC) used the expression techne tou biou, which means “the craft of life”, to refer not only to domestic and mechanical skills but also to development of the soul. The psyche, anima, atman, savira, semangat, nephesh, otachuk, loákal, tunzi, prana, duk, geist, sala, every ancient people had their word to describe the “life-giving principle”.
As the later Roman writer Apuleius wrote, “Everyone should know that you can’t live in any other way than by cultivating the soul.”
Artists and writers have the job of translating this wondrous ‘soul’ experience. Or as PJ Reece reminded me via email, “We live on the surface, but in constant awe of what lies beneath/above/beyond. As writers, it’s our job to live in the liminal zone between the two. And report back.”
At the end of this year, I’ll be attending the Tinderbox Conference for Children’s Writers and Illustrators (*see info. below). The first time Wellington hosted, I flew down for the ‘Spinning Gold Conference’ and over three days, I attended seminars, fangirled over authors, bought books (what’s not to love?) Yet, over and above the glamour of socializing with birds of a feather, the main thing I took away was inspiration.
Kate d Goldi, my tutor and mentor, gave a speech which she based on Jane Yolen’s idea of the ‘alphabetics of children’s literature’. “A is for antecedent,” said Kate, urging us to read the greats.
“B is for bone. Your fascination, your idiosyncratic fascination is why you were made and set here. Thoreau said, ‘Know your bone.’ Circle your preoccupations, recurring motifs, bury it up, dig it up, sniff it. If it hasn’t been written yet its because its up to you to write it.”
I was riveted. As was every person in the room. You could have heard a pin drop.
“I believe the compulsion to write comes from a deeper place,” said Kate. “I don’t write about or for children, but I write for the once and always child in myself. When I’m writing for children I’m chasing down a lost Eden, that hopeful springtime, to approximate the pleasure I had in those shaded imaginative places. The lost Eden of my childhood.”
Kate spoke of getting her ‘nourishment at the knees of writers’. Being one of the keynote speakers at the conference, now she was nourishing us.
“Carlos Fuentes’ book tells us that our lives transcend possibilities,” Kate said, “I think current stories are lacking in complex structure, nuance. Kids need more than a limited diction, and a palette of Smarties. We remember readings that acted like transformations.”
Her speech got a standing ovation as well it should. This is what we pay for, as Elizabeth Gilbert said on her amazing TED speech-, it’s ‘a glimpse of god and we need that’.
According to PJ, “There’s a theory of mental growth that states that we go through a series of psychological “disintegrations” on our way to becoming authentic persons. So it’s very much true to life that a character would be thrown into an existential void again and again. With each passage through the fire, so to speak, and with each “reintegration” the person becomes increasingly altruistic.”
Sophocles described his heroes with the term deinos, which translates loosely as “wondrous and strange.” A character who lives up to that description possesses a kind of incandescence, reminding us of the unpredictable capacity for loving sacrifice, heroism, fierce persistence—as well as craven selfishness, cowardice, vacillation—that each of us carries within his heart. ~ David Corbett
This is the transcendent moment in action. It’s what we live for.
Plato likened the perfect soul to a winged creature, hoping to soar upward toward Truth. I’ll be going to the conference in Wellington, to learn new tools for taming the muse, sure, to schmooze with other writers, yes, and also to be inspired, to soar upward toward the Truth!
Are you joining the Tinderbox in Wellington? Been to a conference lately and felt uplifted? Please share!
See ya’ in the funny papers,
Yvette K. Carol
@YvetteCarol1
±
±
Registrations opened on the website on the 16th June and half the seats sold out within the first 24 hours so if you're interested, get in quick.
±
*RePosted from my blog over on wordpress:
Tuesday, 3 February 2015
Are you sick of ‘How to write' advice?
It’s Wednesday, time for
another group posting of the Insecure Writer’s Support Group! Time to release our fears
to the world – or offer encouragement to those who are feeling neurotic. If
you’d like to join us, click on the tab above and sign up.
We’ve all heard the old
saying which has been attributed to Somerset Maugham, ‘There are three rules
for writing a novel. Unfortunately, no one knows what they are.’ Well someone
ought to tell that to the modern writing gurus because in the last few years
there’s been an explosion of ‘how to write’ bloggers, books, articles
and websites.
“Throughout your
MYSTERIOUS AND WONDERFUL AND OCCASIONALLY MISERABLE ART JOURNEY, you will meet
many naysayers, and you will be given enough advice that, if you wrote all this
advice upon many pieces of paper, you would singularly destroy a significant portion
of the world's forests.” ~ Chuck Wendig
My writing tutor said to me once ‘your sentences are kaleidoscopic!’ In my earnest attempts to win her favour I learned how to shorten and tighten. I read all the 'how to write fiction' books I could get my hands on. I thought, wow, I know nothing about writing fiction and I became filled with doubt.
“How-to”
tomes often coax us to be a writer rather than encourage us to do the
hard work that would turn us into writers. That is to say, write your brains
out. I’ll bet there are young writers out there reading less literature than
“how-to” books. We’re being seduced into posing as writers “rather than
spending the time to absorb what is there in the vast riches of the world’s
literature, and then crafting one’s own voice out of the myriad of voices.”
(author, Richard Bausch) ~ PJ Reece

It took me years to realize that in my adherence to the modern rules of writing fiction, I had limited in every possible way my natural way of telling stories.
At one stage I found a
new writing partner. He said, 'your sentences go clunk', and 'they're the oral
equivalent of riding over cobblestones'. He suggested I read every single
sentence aloud. I did, and I discovered
something significant. I realized that in my earnest following of the rules,
I'd lost the soul of my work. I'd pared, and primped to the point of squeezing
the juice, the life out of my story. I had done what I was told. But all I
had left was chunks of clunk.
In trying to please
everybody, I had sabotaged my own story. ~ Anne R. Allen
And yet, since I’ve started reading bestsellers in my genre, one thing I’ve noticed again and again (so far), is that none of these successful writers are following the rules! What gives? Why do we have to follow the rules and they don’t?
This ties in nicely
with the theme in my life as I get older, of listening to my own spirit.
Allowing for my own knowingness of what's right to imbue my work, rather than
what everyone else tells me is so.
Paulo Coelho ~ Books are not there to show how intelligent
you are. Books are there to show your soul.
These days I'm trying to give
myself full permission to 'just write', to let it flow. But I have a long way
to go yet in throwing off the shackles of the myriad ‘rules’ I’ve imbibed.
Chuck Wendig ~ Write like you don’t give a damn. Write like there’s no
expected outcome except a finished story.
I
really like what Bryan Hutchinson had to say over on Positive Writer, he said,
'there’s a crazy myth writers need to kill: The myth: You need to be an
expert in all aspects of writing to be a writer. No. No you don’t. As a writer,
there’s only ONE thing you need to be able to do, write.'
I have to somehow find my way out of the forest of
advice and back to my natural state. How about you? Are you a writer in your natural state? Or are you still trying to adhere to 101 different writing rules? Or are you stuck halfway between both worlds (like me)? I'd really like to know!
Talk to you later,
Yvette K. Carol
Wednesday, 21 January 2015
Love That Silver Lining!
Around here, we’re knee-deep in the summer
holidays. After four weeks of the kids being underfoot every day, tearing
around, needing this, that and the other thing, I find myself unable to gather
a coherent thought. I’ve made about four attempts on this post already and
scrapped every single one.
However, one thing I do know, and that is my
disappointment over not achieving my goal of publication
last year. See how convoluted that thought was? Thank you, holidays. Not.
After working on this book since 2005, last
year I set the goal to publish it...and that didn’t happen. What does
it take to put a book out? Chuck Wendig says it ‘takes a rather epic set of
genitals’. I think mine have shrivelled. I confess I really did go through
a lot of ‘down’ emotions about failing to cross the finish line, again. So then I got to feel silly about that too.
Life is amazing. Even our most
spectacular fails have that silver lining my grandmother would talk about. At the end of every visit to gran, as I walked towards the door, she would never fail to say some parting phrase of wisdom or of love. Gran would say, "You look for the silver lining, it'll always be there." Or "Reach for that star and you will get there."
The great thing that came out of last year’s ‘disappointment’
was that a new year, a new critique group, a fresh start has brought about a
major revelation for me with this book. Simply put, the story in its previous
form wasn’t ready. And that’s been the truly great, transformational thing
about working on a project this long too, is that it has become my university.
As I have torn down and built up this story over and over, I’ve seen it twist
into new shapes and forms, and I’ve learnt more as the book has become more of itself.
James Scott Bell says you must find beta
readers who are willing to ‘hold your feet to the fire’, and he’s so right. I've been really lucky with my beta readers. I
didn’t truly start to grow with my fiction until I began to work with other
writers through the critique process.
Critique group this year gave me a great wakeup
call - I wasn’t aware enough of my market. I wasn’t writing to the genre, I had
some adult words, concepts and techniques that weren’t suited to the ‘tween 9-13
year old market – in effect I was writing over their heads. My critique buddy
suggested the cure: read in the genre, a book a week.
I started reading a ‘tween book that same day
and immediately I could see the difference. I went back and gave the structure
of the book an overhaul. The rewrite got underway this week, and it’s a thrill,
a pure thrill to see my character’s adventure become what it should be,
directed to the kids.
Apparently Chuck Wendig said, ‘the best work is rarely work that floods the market’. Boy, I hope so! This baby of mine has been a long time coming.
I sent the first three chapters to critique this week. The response came back. OMG! So much better! And there were 'only a few notes on punctuation.' J
Victory is sweet :-) You've got to learn to savor it in this business, and grab it wherever it comes.
Now if I can just get through the rest of the holidays....
Talk to you later,
Yvette K. Carol
www.yvettecarol.com
Be big enough to create a first draft, and
small enough to tear that draft to pieces, to write a second draft, then a
fourth, then an eleven-hundred-and-fifty-sixth if that’s what it jolly well
takes. ~ Chuck Wendig
Oscar Wilde said: "Books are never
finished, they are merely abandoned."
Tuesday, 6 January 2015
What do you really need?
This post was written to coincide with the Insecure Writer’s Support Group
where we share our insecurities on the first Wednesday of the month. In time
for the IWSG post day, I’ve been contemplating the fragility and uncertainty of
life. Last week a friend died. I’m attending the funeral along with family and
friends tomorrow. Tonight, as I try to gather my thoughts for a blog post, I
find myself quite naturally thinking about the matter of life and death.
Some of my family is Maori, and today,
we discussed the differences in the cultural ways of sending off loved ones to
the other side. The Maori spend a week talking about the deceased and also
spending time with the body. My nephew said, ‘that’s how you sometimes get to
know the person really well, because you hear stories you’ve never heard
before.’ And my niece said, ‘We, Maori, walk with death every day.’
This reminded me of my spiritual
mentor, Erin Lees, telling us one time ‘that the Ngwhals say death is right
over your shoulder, that’s how close it is. There is no time to waste. There is
no guarantee. Therefore, one of the questions to contemplate, is what do you really need?’
I started to wonder... what do I really need?
The writer, Leo Buscaglia wrote, ‘Ancient
Egyptians believed that upon death they would be asked two questions and their
answers would determine whether they could continue their journey into the
afterlife. The first question was, "Did you bring joy?" The second
was, "Did you find joy?"’
This
idea really fascinated me. The more I thought about it, the more I realized that I find joy in my
writing, and I (hopefully) bring joy through my writing as well.
Which touches on a
conversation we held on Facebook last week, where a friend wrote: ‘I once read a study that
January 3rd is the most depressing day of the year because the holidays are
over and now there's nothing but 3 months of winter to get through.’
I
responded: ‘That's what I love about writing fiction. We get to create
happiness where there was none!’
And
that was where the self-doubt crept in.... Why did I say that? I haven’t
published a book yet. For one reason or another, I’ve managed to get to 50 years old without putting a
single fictional story into print. My goal to get a book
published has been transferred from one intention list to the next on Jan 31st
for years upon years in a row.
The Japanese say perseverance is a form of
genius...but perseverance without ever reaching the end zone starts to feel
like a form of self-delusion. I feel life is going by so fast - I need to hustle to get onto the ‘bringing joy’ part that is so important. How does one reconcile one's intention
with reality? Any thoughts or ideas you have on this subject and those touched on above would be welcome!!
Talk to you later,
Yvette K. Carol
We have to be honest about
what makes us tick, what makes us different; and then we have to have the
courage to share it with others. ~
C. S. Plocher
Sunday, 28 December 2014
To Resolve or Not to Resolve, that is the question...
Someone recently told me this
quote by Junot Diaz, “In order to write the book you want to write, in the end
you have to become the person the person you need to become to write that
book.”
I love that concept. And I think it’s natural
at this time of year to look back at the year that was and look ahead to the
year before me and ponder how I'd need to change in order to get what I want to create. I know I always do.
Some people like to
write New Year’s resolutions. When I asked my friends about this, they said
things like, Noooo. No resolutions. YUCK. In my head, I know what I
have to do. I don't like writing resolutions. Then I feel like I failed if I
don't stick to them.
And, A resolution is
more like a wish than a do don't ya think?
Then one of them said,
The book
I'm reading reminds us to live with purpose and create good habits that's kind
of the opposite of a resolution.
I thought wow, this is
in line with my way of thinking about it: that we have to ‘keep good thoughts’
as my grandmother would say, and do the work required to get to where we want to go.
A few years ago, I changed the title of my list to ‘Intentions’.
The Oxford Dictionary defines ‘Resolution’ as ‘great determination’, and ‘Intention’
as what one intends to do.
For my list each year, I write down what I'd like to achieve in the coming months along with something I could tackle about myself. For instance, this year I intend to conquer my fear of public speaking by joining a local Toastmasters club.
A couple of years ago,
at this time, my critique buddy, Maria Cisneros-Toth, and I came up with a fun
idea - to write our goals for 2013 on paper, and put them in a bottle. We called it a mini
‘time capsule’, (to be opened on New Year’s Eve). Maria posted a YouTube video http://www.youtube.com/watch?v=tyjnScr4BHw
in which she shared what she’d written the year before and her new set of goals, and shows you how to make your own time capsule.
This is an excerpt from my time capsule of Intentions for 2013
which were all large scale: 1) to score a traditional book publishing deal for Aden Weaver & the Or'in of Tane Mahuta 2) to have Peter Jackson (my idol) turn
the first book into a movie 3) to finish Aden Weaver & the Sasori
Empire completely.
This is an excerpt from my
time capsule for 2014 Intentions, which were more modest: 1) to finish Aden Weaver & the Or'in of Tane Mahuta completely 2) to publish it myself.
While my time capsule message for 2015 has one Intention: 1) to finish and publish Aden Weaver &
the Or'in of Tane Mahuta!!!
Sometimes you just
have to suck it up and admit you’re not quite where you intended to be,
while still walking the delicate tightrope between the truth and optimism, as
is defined and redefined every year by my New Year’s List of Intentions.
Leonardo da Vinci said, "Art
is never finished, only abandoned." Ain’t that the truth!
Talk to you in 2015!
Yvette K. Carol
"This morning I took out
a comma, and this afternoon I put it back again." ~ Oscar Wilde
Sunday, 14 December 2014
Do You Celebrate the ‘0’ birthdays?
This subject was raised by a writer friend on Facebook recently, and it
sparked a great discussion. Her post rued her non-achievement of 'world domination' by 30. I commented to say that I had failed to celebrate turning 30. And I regretted it! I really felt I'd missed an important step. I guess it’s a ritual-type of
celebration, and we throw a party to usher in a new era in our life. When I didn’t do anything
‘special’ for my 30th I felt a sense of ‘let-down’ ever afterward. I urged her to celebrate!
I plan to do something special for every ‘0’ birthday from now on. When I turned 40, I celebrated with bells on.
Coincidentally this FB conversation was started after a long year of being 49, when 50 was hurtling upon me like a thundering locomotive down the tracks!
I really liked what Glenn Hefley said in the FB conversation, “Now I'm coming up on fifty. Finally. I'm at a point were the skills I always wanted to have are at my finger tips. And, I have a worthy direction to hurtle my best spears and extend my deepest empathy.... We are such marvelous creatures. Humans, yes, but writers in particular. After all of these centuries, all the changes and the advances -- we're still the only wizards this world has ever had. We are the storytellers. We are the ones who use the words of power to shatter gloom, raise the moon and blind the sun if necessary. We create gods of every sort, one for every taste of the imagination, and every guilty need. With our gods we bend men's backs and wither women' s hands. Then we give them absolution. We show them, even after they have tried to find love, and have been beaten and scarred over and over again, that it is still worth the effort.”
I plan to do something special for every ‘0’ birthday from now on. When I turned 40, I celebrated with bells on.
Coincidentally this FB conversation was started after a long year of being 49, when 50 was hurtling upon me like a thundering locomotive down the tracks!
What surprised me was I found this
impending moment far more complex emotionally than I’d ever expected. I had to go on a real journey to acceptance of the concept of being ‘that
old’. Luckily the weekend
before my birthday, I took the time to write my thoughts down about this
milestone. Researchers have proved recently that writing things down is a
tremendously effective stress release. I know it to be true for me.
Preparing for my 50th Birthday Dinner
I mulled over my feelings on every run. I remembered how excited my sister had felt when she turned 50. And I remembered the wondrous show Oprah Winfrey did on her 50th when she talked about feeling more empowered than ever before.
Ready to go!
I like that a lot. Glenn speaks of the physical and the metaphysical aspects of aging in a way that reminds me everything is okay.
I remember I am doubly blessed to be fifty and a writer. There's a new sense of the possibilities that come with age....
Birthday lunch with my sister
I was trying to explain to my sister and my girlfriends, that though it might sound silly, for some reason the fact that I’ve entered my fifties, I feel I am a grown up. I feel no one can tell me what to do or push me around anymore. I call the shots now. It’s a turning point for sure in my life.
As Maggie Stietfvater so famously said, (also on FB) “I’m more myself with every year.”
This is the way I feel too, however never more so than this year and it's wonder-full.
After-Birthday lunch with my bestie
Talk to you later,
Yvette K. Carol
How about you - how do you handle the aging process? Have you celebrated every '0' birthday? Did you ever miss one?
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